Past Exhibitions​

Ana Monsó, Ignasi Buneri, and Susanne Storm​

À quelle hauteur naît la présence ?

Dec 2025 – Feb 2026

MO11 Gallery offers the city a space where art is expressed through a genuine curatorial approach. Located just a few steps from La Croisette, the gallery presents a programme conceived as an experience — a sensitive dialogue between artworks, space, and viewer.

For this inaugural exhibition, À quelle hauteur naît la présence?, the paintings of Ana Monsó and Ignasi Buneri intertwine with the concrete sculptures of Susanne Storm. Together, they question how the height of a painting, the volume of a sculpture, or the placement of a colour transform our perception.

Monsó’s painting unfolds through a gestural freedom that invites feeling rather than interpretation. Buneri animates the surface through a practice that oscillates between control and surrender. Storm, in turn, brings the raw materiality of concrete, revealed with striking lightness.

Between materials, gestures, and elevations, the exhibition explores the precise place where the presence of art emerges — and how this presence, depending on where it stands, unsettles the gaze. An invitation to experience space differently, at the heart of a new artistic scene in Cannes.

MO11 Galerie inaugural exhibition in collaboration with The Roamer Project and Sun Contemporary

Las Dos Caras – All Kinds of Gorgeous

May – July 2025

MO11’s curatorial proposal intertwines these two paths: on one hand, Alderabán and The Roamer’s international selection of artists—first presented in Spain and now continuing in France—and on the other, the contemplative, philosophical language of Sun Contemporary’s represented artists.Together, they compose a compelling narrative that celebrates artistic diversity, cross-cultural dialogue, and the dynamic possibilities of contemporary creation.

In the intense and performative setting of the Film Festival—where images multiply, and identities are constructed and dissolved—Las Dos Caras / All Kind of Gorgeous offers a visual and affective pause. This exhibition navigates the dual forces that define contemporary experience: the collective performance and the private fracture, the spectacular and the intimate. Two faces of the same condition.

The exhibition is structured around the idea of the trace: the residue of the pictorial gesture as testimony to the artist’s passage through the work, much like the trail of a snail across a surface—as Francis Bacon once described it. In a world where change moves at an incessant pace, these works offer stillness; they become spaces where image and color hold memory, echo, and transformation.

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