Ignasi Buneri’s works inhabit an in-between space: between painting and drawing, between control and release, between dream and waking. Presence emerges precisely in this “between.”
His combined use of oil, enamel, the hand, and the electric sander produces surfaces that build and erode simultaneously.
Buneri works as if listening to an internal landscape: adding, erasing, adjusting until the surface begins to vibrate. This vibration is rhythmic, reminding us that a painting is not a fixed image but a process in motion.
His works function as intervals—moments where presence is activated by the viewer’s gaze.